Portfolio · Reconstruction

Renouveau

A house reborn in Yurlovo — from an ordinary 2000s mansion into French classicism

Location
Yurlovo, Moscow Region
Scope
Turnkey reconstruction
New style
French classical
Materials
Limestone, slate, wrought iron
Renouveau · Reconstruction

Reconstruction is harder than new construction. On an empty plot the architect is free; here he is bound by what already stands — existing walls, an old foundation, fixed axes and services. Every decision must be fitted into the existing rather than drawn from scratch. We do not take on every reconstruction — only when a house is worth keeping: a sound shell, a good place, a family history. The house in Yurlovo was exactly this — a solid but faceless early-2000s mansion, with a hip roof, an accidental facade and engineering living out its last years. The owners did not want to demolish and rebuild. They wanted this house to become something else — true French classicism. We kept what was worth keeping and replaced everything else.

Below is the path from that house to this one: what it was, how we conceived it, how the works went and what it became — down to the last pipe.

The brief

To remake the house entirely

Reconstruction is not a facelift. We stripped the house back to its load-bearing core and rebuilt it — architecture, roof, facade and all the engineering.

01Keep what is sound: the foundation, the load-bearing walls, the footprint and volume of the house — the very reason to reconstruct rather than demolish.
02Reimagine the image completely: change the silhouette and articulation — a new mansard roof, a stone facade, a rhythm of tall windows — from a 2000s house into a French mansion.
03Replace all engineering from scratch: heating, ventilation, water supply, drainage, power and low-voltage systems — nothing old was left inside the walls.
01 — The starting point

The house we chose not to demolish

We began with an honest assessment: what in this house holds, and what would have to be changed entirely. The shell and the foundation proved sound — we kept them. Everything that created the image of an early-2000s house — the hip roof, the disparate facade, the outdated services — we decided to replace. So the design appeared: the same volume, but in French classicism.

The original house: a hip roof, a disparate facade, outdated engineering. A sound shell in a fine forest — but without an image.
The original house: a hip roof, a disparate facade, outdated engineering. A sound shell in a fine forest — but without an image.

Before — a 2000s mansion

The house was solid but faceless — typical country architecture of its time. To demolish it would be wasteful: the foundation and walls will serve for decades yet.

The design — French classicism

Onto the same volume we laid a strict classical composition: a central axis, symmetry, a steep mansard. The house was to read like an old European château.

The concept design of the main facade: a slate mansard with lucarnes, limestone rustication, a wrought-iron crest and tall windows on strict axes.
The concept design of the main facade: a slate mansard with lucarnes, limestone rustication, a wrought-iron crest and tall windows on strict axes.
01 · Stripping down
The old roof came off and the house was opened up for the new mansard. The kept walls — and the works around them.
The old roof came off and the house was opened up for the new mansard. The kept walls — and the works around them.
02 · The new roof
Building up the mansard: a fresh rafter structure over the kept walls, scaffolding, stacks of slate ready to lay.
Building up the mansard: a fresh rafter structure over the kept walls, scaffolding, stacks of slate ready to lay.
03 · Engineering anew
Inside — completely new engineering: heating, ventilation, water and power laid from scratch before any finishing.
Inside — completely new engineering: heating, ventilation, water and power laid from scratch before any finishing.
04 · A second birth
The same house — a new life: warm limestone, a slate mansard, a wrought-iron crest, tall windows in black steel.
The same house — a new life: warm limestone, a slate mansard, a wrought-iron crest, tall windows in black steel.
02 — Architecture

New architecture on old walls

The image of French classicism rests on three things — the roof, the stone and the rhythm of the windows. We went through the house on all three. A flat hip roof gave way to a steep slate mansard, plaster to limestone, mismatched windows to tall French ones in black steel. The same volume began to sound entirely different.

The whole house after reconstruction: a limestone facade, a slate mansard with lucarnes and a wrought-iron crest, a ceremonial forecourt.
The whole house after reconstruction: a limestone facade, a slate mansard with lucarnes and a wrought-iron crest, a ceremonial forecourt.
A steep slate mansard with arched lucarnes and an openwork wrought-iron crest — the silhouette that makes the house French.
A steep slate mansard with arched lucarnes and an openwork wrought-iron crest — the silhouette that makes the house French.

A mansard instead of a hip roof

It is the roof that decides everything: a shallow hip turned the house into an ordinary country building, a steep mansard into a château. Slate, lucarnes and the wrought-iron crown set the character from the top down.

Stone instead of plaster

Stone gave the house a weight and authenticity that plaster never has. Rustication, ashlar and the profiles of the surrounds are drawn by classical rules — the facade reads calm and monumental.

The facade was clad in limestone: a rusticated base, corner quoins, carved window surrounds with keystones, a dentil cornice.
The facade was clad in limestone: a rusticated base, corner quoins, carved window surrounds with keystones, a dentil cornice.
The entrance portal: carved limestone, arched doors, a wrought-iron balcony and lanterns — the house’s new ceremonial accent.
The entrance portal: carved limestone, arched doors, a wrought-iron balcony and lanterns — the house’s new ceremonial accent.
A tall French window in black steel with fine glazing bars, a stone surround and a wrought-iron balconet — strictly on axis.
A tall French window in black steel with fine glazing bars, a stone surround and a wrought-iron balconet — strictly on axis.
03 — Engineering

The house down to the last pipe

The most expensive part of a reconstruction is not the facade but what lies behind it. We removed the old services to the base and laid them anew: heating with manifolds and underfloor loops, supply-and-exhaust ventilation, water and drainage, power and low-voltage wiring, smart-home circuits. All on premium equipment, with a reserve of capacity and concealed routing. Outside — a French mansion; inside — the engineering of a brand-new house, hidden in the walls and floors.

During the works: underfloor manifolds, ventilation ducts, runs of pipes and wiring — all engineering laid anew, before any finishing.
During the works: underfloor manifolds, ventilation ducts, runs of pipes and wiring — all engineering laid anew, before any finishing.

A good reconstruction hides its own difficulty: a guest sees a finished French house and never guesses that behind the stone lies a rebuilt shell and completely new engineering.

Reznikov Studio
04 — The ensemble

Evening and the view from above

The house is drawn into a single ensemble with its grounds. In the evening the warm light of the tall windows and the slate mansard against a deep blue sky complete the image; and from above you can see how the renewed house sits in its pine forest.

Evening: warm light in the tall windows, lit limestone and the slate mansard against a deep blue sky.
Evening: warm light in the tall windows, lit limestone and the slate mansard against a deep blue sky.
From above: the whole slate mansard with its lucarnes and iron crest, the forecourt and the pine forest around the house.
From above: the whole slate mansard with its lucarnes and iron crest, the forecourt and the pine forest around the house.
The project at a glance
Reconstructionturnkey, full cycle
YurlovoMoscow Region, a pine forest
Before → aftera 2000s house → French classicism
Keptthe foundation and load-bearing walls
Replacedthe roof, the facade and all engineering
Limestone · slate · ironfacade and roof materials
All engineering — newheating, ventilation, water, power
Design & buildin one pair of hands — sketch to key

If you have a house that has outgrown itself, you do not have to demolish it. We know how to give such a house a second, more noble birth.

Next step

Want to reimagine your house the same way?

If you have a house that has outgrown itself, you do not have to demolish it. Tell us about it: we will come, honestly assess the shell, the foundation and the engineering, and propose a new image. A full cycle: design, facade, roof, a complete replacement of all engineering and turnkey construction.

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